O Window in the Dark!

The Early Career of Vladimir Nabokov

appendix A: Echoes

 

The following are examples of repeated bits of imagery and dialogue found in Nabokov’s early work (and a few more from later books as well). This list is merely a sampling, and is by no means exhaustive.

from Speak, Memory:

“The cradle rocks above an abyss. . . .”

from The Defense:

“He used to be keenly affected by this crackling and rustling, and smelly human warmth if he did not retreat too deeply into the abysses of chess.”

“. . . in the fiery gap he had seen something unbearably awesome, the full horror of the abysmal depths of chess.”

from The Eye:

“‘Down with that hand,’ were the guest’s first words, as he looked at my proffered palm — which was already sinking into an abyss.”

from Glory:

“There were supernaturally comfortable leather armchairs, in which the body would melt as it sank into a yielding abyss. . . .”

“. . .He saw under his heels a prodigious precipice, a sun-illumined abyss with, in its depths, several outdistanced firs funning in panic after the descending forest. . . .”

“There came a moment when without holding onto the cliff he merely leant his chest against it, and felt the abyss behind him strain and pull at his calves and shoulders.”

from Laughter in the Dark:

“He got out of the lift, moved forward and stepped with one foot into an abyss — no, it was nothing, only the step leading downstairs.”

from Speak, Memory:

“. . . the phantom of a step, padded, as it were, with the infinitely elastic stuff of its own nonexistence.”

from Despair:

“I have always found it difficult to loosen my grip of the letter suspended above the abysmal chink.”

from Invitation to a Beheading:

“. . . there came a distant, feeble ‘hurrah,’ as if from an abyss. . . .”

from The Gift:

“My mother . . . uncontrollably sobbing, allowed her perfectly celestial treasures to flow out of their abyss into her palm.”

“As into an abyss, the river runs into the murk of the prematutinal twilight that still hangs in the gorges. . . .”

“Fyodor Konstantinovich descended into a blissful abyss where the warm remnants of his slumber mingles with a feeling of happiness. . . .”

“And there must be on the other hand an abyss of seriousness. . . .”

“Shirin, author of the novel The Hoary Abyss (with an Epigraph from the Book of Job). . . .”

“A lobbed ball seemed to be falling — ever more slowly — into a dizzy abyss.”

“. . . the watery abyss of the past and the aerial abyss of the future.”

my own favorite, from the Playboy interview:

“I wonder if I shall ever measure again with happy hands the breadth of a lectern and plunge into my notes before the sympathetic abyss of a college audience.”

*            *            *

from The Eye:

“I never thought you were such a scoundrel.”

from Glory:

“‘You scoundrel, I’ve been looking for you since morning.’”

from Laughter in the Dark:

“‘In fact, you’re a scoundrel, sir, an absolute scoundrel.’”

from Despair:

“In appealing to me for help this petty scoundrel was just feeling the ground in view of future demands.”

“‘You scoundrel,’ I uttered through my teeth with extraordinary force, ‘you scoundrel and double-crosser.’”

“‘I want you to perish not because you are a killer, but because you are the meanest of mean scoundrels. . . .”

from Invitation to a Beheading:

“‘The scoundrels,’ muttered M’sieur Pierre.”

“‘Well, I never! Rodrig, you scoundrel. . . .’”

from The Gift:

“. . . if not scoundrels as the partial Shirin maintained — then at least shade-lovers in their bashful but deft activities.”

*            *            *

from The Eye:

“‘Where are your parents?’ she once asked Smurov.

  ’In a distant churchyard,’ he answered, and for some reason made a little bow.”

from Laughter in the Dark:

“‘Haven’t I met your sister once?’ queried Dorianna in her lovely bass voice.

  ’My sister is in Heaven,’ answered Rex gravely.

  ’Oh, I’m sorry,’ said Dorianna.

  ’Never was born,’ he added — and sat down on a chair next to Margot.”

*            *            *

Of course, Nabokov also makes frequent use of this echoing device within any one novel.

from The Defense:

“‘Home,’ he said softly. ‘So that’s the key to the combination.’”

“‘Home, home,’ he muttered, ‘there I’ll combine everything properly.’”

 

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