O Window in the Dark!
The Early Career of Vladimir Nabokov
appendix B: Deceit
“How clever, how gracefully sly and how essentially good
life is!” exclaims Fyodor in The Gift. Nabokov
stresses the benignly deceptive nature of reality throughout
his work, and believes that he is at his most “realistic”
when he is at his trickiest. The following are just a few of
the many references that Nabokov makes to deceit in life and
art.
from Laughter in the Dark:
“Destiny, which had promised him so much, had
not the right to cheat him now.”
“Perhaps the only real thing about him was his innate
conviction that everything that had ever been created in the
world of art, science or sentiment, was only a more or less
clever trick.”
from Despair:
“As a rule I have always been noted for my
exceptional humorousness; it goes naturally with a fine
imagination; woe to the fancy which is not accompanied by
wit.”
“. . . Every work of art is a deception. Oh,
yes, I was the pure artist of romance.”
from The Gift:
“And then there were the mirages — the
mirages where nature, that exquisite cheat, achieved
absolute miracles. . . .”
“. . . for there is nothing in nature more
bewitchingly divine than her ingenious deceptions cropping
up in unexpected places.”
“The most enchanting things in nature and art are based
on deception.”
from Speak, Memory:
“I discovered in nature the nonutilitarian
delights that I sought in art. Both were a form of magic,
both were a game of intricate enchantment and deception.”
(re. chess problems) “Deceit, to the point of diabolism,
and originality, verging upon the grotesque, were my notions
of strategy, I was always ready to sacrifice purity of form
to the exigencies of fantastical content, causing form to
bulge and burst like a sponge-bag containing a small furious
devil.”
from a letter to Edmund Wilson, 5 April 1960:
“Isn’t all art whimsical, from Shakespeare to
Joyce?”
from the Eugene Onegin commentary:
Pushkin is described as “a deceiver as all
artists are. . . .”
“Art is a magical deception, as all nature is magic and
deception. To speak of a ‘sincere’ poem or picture is about
the same thing as to call ‘sincere’ a bird’s mating dance or
a caterpillar’s mimetic behavior.”
from the Playboy interview:
“Because, of course, art at its greatest is
fantastically deceitful and complex.”
from the BBC interview, in Strong Opinions:
“. . . All art is deception and so
is nature; all is deception in that good cheat, from the
insect that mimics a leaf to the popular enticements of
procreation.”
“Do You know how Poetry started? I always think that it
started when a cave boy came running back to the cave,
through the tall grass, shouting as he ran, ‘Wolf, wolf,’
and there was no wolf. His baboon-like parents, great
sticklers for the truth, gave him a good hiding, no doubt,
but poetry had been born — the tall story had been born in
the tall grass.”
back to
chapter 2 back to
contents appendix
C bibliography
e-mail
to Mike Fox Paws
home page
|